In a recent post, I talked about flow and the effort it takes to achieve it. Today, I want to talk more about that, specifically about making your writing space “sacred” and creating a “closed-loop system,” particularly with regards to distractions, vis a vis your phone.
In that post about flow, I discussed the pomodoro technique, which helps me focus. To quickly recap, I work for twenty-five minutes then take a five minute break. The problem is that I was using my phone to do this, and during my five minute breaks I’d usually check social media or any messages. Seems harmless enough, right? I’d briefly check my phone for a few minutes then set it aside and work, and then repeat.
This January I was commissioned to write two short articles. It had been awhile since I did the freelance thing, and these pieces were outside the niche that I’d been carving for myself recently, but I said yes because it was an opportunity to make some quick money after Christmas. Also, the publisher has always been a pleasure to work with. And, I mean, it’s pretty hard for a writer to turn down a paying gig. However, I soon realized that taking on these sorts of projects was holding back my career. I was chasing the quick nickel instead of the long dollar.
When I first started my writing career back in 2013, I didn’t understand the value of specialization (among many other things). My passion had always been to write novels, ever since I was little kid, but I didn’t have a voice, didn’t know where to start. So I decided to follow the path laid by many other writers before me that I’d admired: journalism. I did a six-month internship at The Walrus magazine then embarked on a brief freelancing career.
I was interested in a lot of different things and figured it was all just writing. I chased after every possible pitch. I wrote articles about food banks, homelessness, women in the Canadian film industry, Newfoundland traditions, food, and immigration. I said yes to any opportunity.
This taught me two important lessons: 1) in order to be a great writer, or anything really, you have to focus on one very specific thing, and 2) to do that, you have to say “No” a lot.
In his book Essentialism, Greg McKeown shows very simply the power of focusing on one thing vs several things. You can try to do ten things to the first degree, or you can do one thing to the tenth degree. Doing the former means you’ll spread yourself thin and only really nibble around the edges. The latter means you’ll end up actually mastering your chosen field.
There was no way I could write about immigration one week, food the next, and somehow find time to write novels in the meantime without my work suffering.
This begs the question: How do I find my niche? It’s easier said than done. Some people know from the start what they want to do. For example, you may have always wanted to be a sportswriter and every step you took from high school was in that direction. On the other hand, like me, you may have a lot of interests and can’t decide. In that case, I’d suggest doing a lot of things until you find your niche. After writing enough things that I wasn’t interested in, I managed to deduce what I was interested in.
Once you’ve reached this point, you’re ready for step number two: Saying No.
Focusing on one thing means that you’re gonna have to say no to things that don’t contribute to your long term goals. And you’re going to have to say no a lot. Like a lot, a lot. What’s more, as you gain success and notoriety in your niche, more opportunities will come your way. You’re gonna need to parse which ones are right for you.
This is difficult for two reasons. 1) Turning down opportunities feels wrong. Like you’re being lazy and unappreciative. This requires discipline and focus. And 2) Knowing the right time to say no requires sound judgement.
Warren Buffett, who is worth an estimated $82 billion, says that the thing that separates successful people is that they say no to a lot of opportunities. Buffett owes approximately %90 of his wealth to just ten investment stocks. Therefore, there is a tonne of value to be found by drilling narrowly and deeply.
Or, consider Stephen King. After Carrie, he had to a choice to publish either Salem’s Lot, which would cement him as a horror writer, or Roadwork, which was more literary. King wasn’t afraid of specializing so he went with the former. I think that’s worked out pretty well for him.
So, whenever an opportunity comes your way, you have to ask, “Does this contribute to my long term goals? Am I chasing the quick nickel or the long dollar?”
That was the mistake I made when I said yes to those commissions at the start of the year. It wasn’t a bad opportunity, just not the right one for me. I don’t want to sound ungrateful or snobby, like it’s beneath. It just didn’t fit in with my long term goals. I was chasing the quick nickel.
Recently, I’ve become fascinated with the concept of the “flow state”; a frame of mind where you become lost in a task. Psychologist Mihály Csíkszentmihályi described flow as “being so involved in an activity that nothing else seems to matter. The ego falls away. Time flies. Every action, movement, and thought follows inevitably from the previous one…Your whole being is involved, and you’re using your skills to the utmost.”
To be sure, it’s certainly not a new or novel concept. Throughout history, people like Newton and Michelangelo would become so engrossed in a project that they’d forget to eat, bathe, or even sleep. That might be a little extreme, but I’m sure I speak for a lot of you when I say that I’d like to be a little more focused when I sit down to write. I can’t tell you how many times a writing session has been derailed by the many distractions of the internet.
I don’t know if it’s the darker days or the colder weather, but there’s something about winter that makes me want to crawl under a pile of warm blankets and not emerge until June.
I tend to put off a lot of things during the winter – getting groceries, cleaning, socializing, and sometimes even writing. So, if you’re like me, here are some tips on how to stay productive during those dark and dreary winter months!
If you have any kind of feel for the zeitgeist then you’ve noticed that the horror genre is having quite the moment nowadays. There have always been successful horror movies like Paranormal Activity or Saw that spawn lucrative imitators, etc. but presently there are releases that are also enjoying heaps of critical praise like Get Out, Hereditary, and The Witch. Some critics have labelled these “elevated” horror, but I think that’s a condescending and unnecessary classification. Any horror fan will tell you that the genre has always enjoyed a wealth of sophisticated material, despite being unappreciated by mainstream critics. Nevertheless, it’s hard to deny the quantity of quality in addition to the box office remuneration.
This weekend I will be launching my debut novel, After Dark Vapours. It’s obviously a very exciting time for me; publishing a book has been a dream for me ever since I was a little kid reading Goosebumps. Likewise, I’ve been lucky to have experienced an outpouring of support and enthusiasm from friends and family. Perhaps the most common refrain I hear, especially from bookish friends, is that they too have always wanted to write a book. If you’re reading this and also feel the same, believe me when I tell you that if I can do it, you can do it. So, with that in mind, I’d like to give you all some advice that I wish someone gave me when I started writing:
Sometimes it seems like my brain knows more than it lets on.
Even when I don’t notice, it’s back there – constantly churning out story ideas, thinking about writing projects, and generally working in the background. Not that I’m complaining, mind you.
The thing that amazes me is that I think my brain is smarter than I am.
When I wrote The Six Elemental I was writing about Kit’s journey of coming to terms with being a living mythical being. It was only after I’d gone through my third draft that I realized there was an underlying theme of how outside influences can effect* how a person grows up. There’s a big difference between the person Kit is (growing up on Briton with a Humanist step-father) and the person Kit could have been (with a more accepting influence).
When I wrote The Fifth Queen (still in it’s editing stages), I was writing about a different character’s journey (plus a few familiar ones). After I’d written the first draft I realized that I’d done another parallel theme – this time, about accepting responsibility. One character accepts that they have a duty to uphold, while another character rejects it.
But I’d never thought about that when I was writing the story. That parallel hadn’t crossed my mind once while I was writing. Instead it was something that just happened to appear when I was going through the first draft.
My brain put it there because it’s smart, y’all. Maybe too smart…
So if you’re writing something and you’re not sure where your story’s going or what it’s all about, don’t worry about it. Just keep writing and eventually you’ll figure something out. Sometimes you won’t know until the end of your first draft (or maybe even the fifth), but as long as you’re telling a compelling story with interesting characters, eventually it’ll all become clear.
Trust your brain.
It knows – even if you don’t.
*It’s too late** for me to care whether effect/affect is right, so this is the word I’m using. I’ll figure out if it’s wrong/right sometime maybe never.
**It’s only 11:54pm AST, so I’m not late! It’s still Sept 18th over here!