In 2013, when Man of Steel was released, I wrote about the challenges of adapting Superman for modern audiences. After a mixed bag of movies, it seems like Warner Bros is ready to cut bait and move on from this iteration of Krypton’s most famous son. Or maybe not? Now, Ben Affleck is apparently looking to bail as well. Who knows. The fact of the matter is, the DCEU is a dumpster fire.
Which is unfortunate because, unlike the MCU, Warner Bros actually owns all the IP rights to the DC characters. It should’ve been them leading the way of the shared cinematic universe, not Marvel, who didn’t even own the rights to Spider-Man when this whole trend got going. The MCU built perhaps the biggest box office juggernaut in Hollywood history off the backs of second-tier characters. What the hell happened? Continue reading Whatever Happened to the Man of Tomorrow: The failure of the DCEU
Like so many, I was deeply saddened by the news of Anthony Bourdain’s suicide. He produced many great TV shows and pretty much created modern food culture with Kitchen Confidential. He was a once in a generation influence.
I was watching one of his final interviews where he made a point that I’ve been thinking a lot about ever since. (I highly recommend watching the full thing.) He said, “I’d much rather not make TV at all or make unsuccessful TV than competent television…I detest competent, workman-like storytelling…I’d rather fail.” At the face of it, attacking competency seems wilfully ignorant, but what Bourdain means here by “competent storytelling” is by the numbers acceptable mediocrity. He’d rather take a chance at something different and fail. “There are shows where people are just going to hate it. They don’t like the style, they think it’s self-indulgent. But that’s the kind of failure I like. A powerful reaction one way or another is infinitely preferable to pleasing everybody.” Continue reading Do or Do Not: Anthony Bourdain, Star Wars, and Failure