This week, Engen Books announced its 2019 call for submissions and focused in on Dystopia as the genre of choice for their anthology collection. As Dystopia is slightly separate from the ‘Big Three’ genres we’ve explored to far (Sci-fi, Fantasy, and Horror), we thought it would be appropriate to ask the question: “What is Dystopia?”
The word Dystopia comes from Greek heritage, where it means a society or community that is undesirable or frightening. Directly translated it means ‘not a good place’ and is used as an opposite for Utopia. In fact, many successful Dystopian stories use elements of both Utopia and Dystopia, in which a seemingly-Utopian society is revealed to be Dystopian for those of a lesser class. For a great example of this, see the 2005 Micheal Bay film, The Island description.
Dystopian stories are often allegorical. They have a hard time not being so, as depicting what we imagine to be a troubled future cannot help but have some reflection on how the author — and the reader — views the present. Dystopian novels seem to often start with the goal of answering the question: “If we continue down X path, how bad could things get?” A common hallmark of dystopian stories is that often enough time has passed that the protagonists cannot directly remember what the world was like before or were not present for the changed, making a society so different from our own that it may as well be alien.
Continue reading for some great examples to read to prep for writing your own Dystopian epic!
Continue reading “What is Dystopia?” | Dystopia from the Rock
This might have to be my final post under the ‘Distractions’ banner, if only because I will, very soon, not be able to abide distractions anymore. That is to say, as of January 1 2018, I will be going Full-Time writing and publishing through Engen Books.
This is a massive step forward for me personally and for the company as a whole. We’ve made great strides in the last ten years helping to build ourselves as Atlantic Canada’s premier small-press, indie, and genre publisher. We’ve taken on a massive amount of new projects and new authors which has helped expand our library exponentially. This is going to give me the time to really pour gasoline on that process. We’re going to be expanding into new areas and taking on new authors, as well as making sure our existing stable of amazing talent like Ali House, Ellen Curtis, Amanda Labonté, and Paul Carberry remain focused and driven to succeed.
It isn’t, however, without risk. While we’ve had an amazing year in 2017 and this was a part of a 5-year plan for us, this wasn’t a strategically-planned and calculated move. This came out of necessity because of some upheavals in my person life that I’ll disclose as I become able. Suffice to say, we’re viewing this as a positive and bravely making this leap forward. 🙂
As a part of this building though, we’re going to be needing the support and patience of our fans more than ever. There are going to be some changes. First and foremost will be an increased focus on Kindle and other eBook formats, as there is very little overhead to producing fiction in those methods. We have a dedicated print fan base we know, and our most popular titles (like the ‘From the Rock’ anthology series) will still be available in print day-of release, but some titles may see a digital-only release for short periods of time so that we can bring our work to those who want it. Continue reading Going Full-Time | Distractions | Matthew LeDrew’s Blog