Tag Archives: House Blog

Ali House, author of The Six Elemental, to write for ‘Dystopia from the Rock’

The Six Elemental, cover, Ali HouseEngen Books is proud to announce that Ali House, author of 2016’s The Six Elemental, is returning to the From the Rock collection this year in Dystopia from the Rock with two all-new short stories, “Authentic New Island Experience” and “Untitled.”

Ali’s 2016 collection entry, “Twenty-One,” was heralded as one of the gems of the collection and led to a novel based on the concept and characters later that same year.

Her 2017 book of short fiction, Unexpected Stories (coauthored with Amanda Labonté), is available for free with signup to the Fantasy Files newsletter.

“Kit Tyler is brought to life quite vividly and her journey through the fantastical, dystopian world filled with magical super-humans delves into subjects that run parallel to issues faced by young adults in our own world.”
Christopher Walsh, author of The Gold & Steel Saga Continue reading Ali House, author of The Six Elemental, to write for ‘Dystopia from the Rock’

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4 Ways to Beat the Winter Writing Blahs | House Blog

I don’t know if it’s the darker days or the colder weather, but there’s something about winter that makes me want to crawl under a pile of warm blankets and not emerge until June.

I tend to put off a lot of things during the winter – getting groceries, cleaning, socializing, and sometimes even writing. So, if you’re like me, here are some tips on how to stay productive during those dark and dreary winter months!

Continue reading 4 Ways to Beat the Winter Writing Blahs | House Blog

Looking ahead to 2019 | Engen Books

2018 was a banner year for Engen Books, but 2019 has all the potential to surpass it: in spades! Those looking for a sneak peak into just some of our upcoming projects are in the right place! From returning entries in favorite series, remastered bestsellers, and brand new talent breaking for the first time: Engen Books is the thing to follow in 2019!


Continue reading Looking ahead to 2019 | Engen Books

NaNo Lessons 2018 (So Far) | House Blog

1. Writing every day is good. I’ve been doing a lot of editing lately, so I felt a bit rusty jumping back into novel writing. Pushing myself to write every day is helping get me back in the groove, and I’m finding that I’m more focused on the story as a whole and quicker at solving issues. Even if you can’t write every day, it’s helpful to try to write as often as you can. Just like swimming, if you don’t practice, your skills can get rusty (and you won’t be able to do those cool jump dives from the side of the pool like you used to).

2. It doesn’t matter what you write – WRITE. Some purists may consider it cheating to include writing that isn’t within your novel, but I think that as long as you’re getting words down, it can count. The novel I’m writing is about characters putting on a play, so not only am I writing the novel, but also the play within (I searched for a version online but couldn’t find one). Whenever I hit a brick wall on the novel, I’ll turn around and write the play, so I can stay productive instead of staring at my screen blankly. Sometimes, if I get stuck on both, I’ll do word-sprints to help outline the plot or work through a problem. While these things aren’t necessarily helping the novel’s word-count, it’s still writing and it’s still helpful.

3. Seriously – JUST WRITE. It was only day 2 in NaNo when I decided to pause and write a Kit Sora fiction. Sometimes I get stuck in a project and don’t know where to go next, so I need something else to think about, like an amuse-bouche for my brain. It keeps me writing, and there are so many other things out there to write (like Flying Stories). As a bonus, sometimes while I’m writing something else, my novel will notice that my attention’s elsewhere and get jealous. ‘Remember me? You should get back to me! Here are tons of ideas!

4. Don’t get discouraged if what you write isn’t perfect. This novel is already showing signs of being a good Zero Draft instead of a good First Draft. I’ve got some great scenes and character development, but it’ll need a lot of tightening up. However, instead of going back and trying to make it perfect, I’m writing notes to my future self of what’s needed, before moving on. I won’t finish this novel if I worry about every single word I’ve written, but I will if I keep going forward. As Socrates once said*, It’s better to have a draft that needs work than no draft at all.

5. It’s okay to hold back and wait for inspiration. I find it easier to write when I know what’s coming next or what I want to say. At one point I knew that I wanted to describe a show that was going on, but I didn’t want to write it from my main character’s point of view. So I held off and moved to the next chapter instead of forcing myself to write something I didn’t want to write. Then, that night, I was thinking about the story and I realized exactly who’s point of view I could use. The next day I started writing and SUCCESS! The words came easily and quickly, and the scene was finished in no time.

6. …Just don’t wait too long! Remember that you shouldn’t go too many days without writing. If your inspiration for the next scene isn’t coming along, think of a scene that you want to write and move on to that. If I’m struggling to write something, usually it’s because there’s something off about it. I’ll try to change it, mix it up, or think about it another way. Or cut it out altogether and write something else.

7. There’s still time. November ain’t over yet! Even if you don’t make it to 50,000 words, if you’ve been even the least bit productive, it’s been worth it. And when November ends, it doesn’t mean that you have to stop. Keep on writing! Words forever! Huzzah!

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*Socrates totally did not say that.

NaNoPrepWeek | House Blog

The stars have aligned, Mercury is in retrograde*, and I’m prepping for NaNoWriMo!

I say that because this will be the first year I’ve actually done prep work for a NaNo story – and not ‘I’ve got a character name and an idea’ prep work, I mean ‘names, backgrounds, world-building, and outline’ prep work.

My first NaNo was a ‘fly by the seat of my pants’ affair, and since I managed to hit my word count I figured that this was the way to go. However, that story was also a really rough draft, consisting of many odd ramblings (when I’m desperately trying to hit a certain word count it’s almost like the ghost of Charles Dickens possesses me and I can suddenly spend paragraphs describing a lamp – good for word count, but not for content). The subsequent NaNos either had similar ramblings or failed to meet the word count**.

 

Nano-meme

Continue reading NaNoPrepWeek | House Blog

Trusting Your Brain | House Blog

Sometimes it seems like my brain knows more than it lets on.

Even when I don’t notice, it’s back there – constantly churning out story ideas, thinking about writing projects, and generally working in the background. Not that I’m complaining, mind you.

The thing that amazes me is that I think my brain is smarter than I am.

When I wrote The Six Elemental I was writing about Kit’s journey of coming to terms with being a living mythical being. It was only after I’d gone through my third draft that I realized there was an underlying theme of how outside influences can effect* how a person grows up. There’s a big difference between the person Kit is (growing up on Briton with a Humanist step-father) and the person Kit could have been (with a more accepting influence).

When I wrote The Fifth Queen (still in it’s editing stages), I was writing about a different character’s journey (plus a few familiar ones). After I’d written the first draft I realized that I’d done another parallel theme – this time, about accepting responsibility. One character accepts that they have a duty to uphold, while another character rejects it.

But I’d never thought about that when I was writing the story. That parallel hadn’t crossed my mind once while I was writing. Instead it was something that just happened to appear when I was going through the first draft.

My brain put it there because it’s smart, y’all. Maybe too smart…

So if you’re writing something and you’re not sure where your story’s going or what it’s all about, don’t worry about it. Just keep writing and eventually you’ll figure something out. Sometimes you won’t know until the end of your first draft (or maybe even the fifth), but as long as you’re telling a compelling story with interesting characters, eventually it’ll all become clear.

Trust your brain.

It knows – even if you don’t.

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*It’s too late** for me to care whether effect/affect is right, so this is the word I’m using. I’ll figure out if it’s wrong/right sometime maybe never.

**It’s only 11:54pm AST, so I’m not late! It’s still Sept 18th over here!

Revealed: Kit Sora – The Artobiography

Kit-CoverFor months we’ve kept it a secret, slowly amassing the best short fiction from the best authors working in the field, via industry contacts and the Kit Sora Flash Fiction Contest. Now it’s all coming together in Kit Sora: The Artobiography, a 100-page hardcover anthology celebrating one of the greatest photographic artists of our time and the authors she inspired.

This stunning collection will be available from Engen Books in Fall 2018, and features over eighty high-concept images photographed and selected by Sora herself for this collection.

Along with Kit Sora’s tremendous artwork, the collection features accompanying short fiction from some of Canada’s bestselling, award-winning authors. Some include Kate Robbins (Bound to the Highlander), Carolyn R. Parsons (Charley Through Canada), Chelsea Bee (London Calling), Jon Dobbin (The Starving), Candace Osmond (Love & Magic), Michelle Churchill (The Last Tree), Ali House (The Six Elemental), Brad Dunne (After Dark Vapours), Ellen Curtis (Infinity), Matthew LeDrew (Jacobi Street), Kate Sparkes (At Any Cost), JJ King (My Brother’s Keeper), Amanda Labonté (Drawn to the Tides), and USA Today Bestselling author Victoria Barbour (Hard as Ice).

The collection will also feature numerous prize-winning stories, including Frigid by Catherine Rector, Starling by Cristina Ozon, Sweet Sixteen by Nicole Little, Tarnished by Jennifer Combden, Bubbly by Sara Burke, Running by Georgia Atkin, Extinguished by Jeff Slade, and Sea Monkeys by Peter Foote.

The collection will be available in both hardcover print and eBook formats.


Image copyright © 2018 Kit Sora Photography, used with permission. Logo and distinctive ‘oval spike’ design copyright © 2007 Engen Books.