This week, our social-media feed went insane with our fellow convention-goers taking advantage of the Pulp-O-Mizer, a fun new online tool that allows you to create your very own retro-style Pulp Magazine covers… and if you think we’d didn’t make versions of our own titles, you really don’t know us well. Enjoy!
A Special-Edition hardcover collecting Black Womb, Transformations in Pain, and, Smoke and Mirrors celebrating the 10th Anniversary of the release of Black Womb! Available in print only through contacting Engen Books!
Black Womb: Habeas Corpus (Hardcover)
Barnes & Noble
Buy Local: $40.00
|Release Date:||April 28, 2017|
|Book Type:||Hardcover (5 x 8 in)|
|Price (CAD):||Buy Local: $40 / EBook|
No novel or franchise is without sin — that’s the thesis statement behind popular channels such as CinemaSins and Red Letter Media, who have made careers out of lovingly and painstakingly point out the contradictions and gaffs in their favorite forms of media… so why should the Engen Universe be any different? 🙂
Over the years we’ve gotten tons of comments from fans, reviewers, and professionals of varying fields who have read our books and cared enough — been invested enough — to point out some of the senses-shattering plot holes that Engen Universe titles have to offer. What with all the positive spin we’ve been pumping out preparing for Fantasy from the Rock and the Black Womb 10th Anniversary Edition, we thought it would be good to show the flip-side of promotion an unveil our Top 5 Suspension-of-Disbelief-Shattering Moments from the Engen Universe! 🙂
(mild spoilers ahead) Continue reading Top 5 Suspension-of-Disbelief-Shattering Moments from the Engen Universe
Pre-order your copy of the Black Womb Omnibus Hardcover now! The Omnibus, which contains the novels Black Womb, Transformations in Pain, and Smoke and Mirrors will be on sale this April at Sci-Fi on the Rock 11 to celebrate Engen’s 10-year anniversary! Reserve your copy now and save $5.00 using the link below! Only available March 19-25 2017!
This promotion is closed!
To keep the title available throughout the 10th anniversary year, we are limiting the amount we bring to each convention! There will only be 10 copies for sale at Sci-Fi on the Rock 11, get yours while you can! 🙂
We’re giving away 5 copies of the Roulette ashcan edition this month! Enter via Goodreads by clicking the link above!
We were going to keep it secret, but Ellen Curtis spilled the beans to a local YouTuber at a recent show, so it seems like we should maybe get out ahead of this one. 😉
At Sci-Fi on the Rock 11, to help celebrate our 10th anniversary, Engen Books will be releasing the first of 3 Black Womb hardcover Ultimate Collection editions.
These massive hardcovers will collect entire Black Womb storyarcs, with the first edition collecting Black Womb, Transformations in Pain, and Smoke and Mirrors, forming the pivotal events of Xander Drew’s origins and introducing Engen, Adam Genblade, and Julie Peterson.
The collections will be available only direct through Engen Books and the author and limited to 100 signed and numbered copies, each with certificates of authenticity.
Like and share with someone you think would be interested 🙂
Longtime readers of Engen Books might remember when, in the early days of ashcan-like editions published in Pocket Paperback editions by Calgary-based printer Blitzprint, the back covers of the first five books in the Black Womb series looked like this one, on the left.
The covers were simple: plain black background with white text, title above. Sometimes issues with the printer made them faded and illegible — such are the woes of starting out in publishing. But while we’ve improved immensely, there are some things that have been lost along the way as we’ve gotten more polished: avant-garde ideas that traditional publishers wouldn’t try that made us stand out on the bookshelf. And that was, ironically enough, the back cover.
We had the interesting idea of not wasting the back cover with a hook or synopsis or out-of-context trailer to try and force the reader to buy: we wanted to bring them in with our storytelling ability and our sharp, witty dialog. So we did something very few other novels have done: we made the back cover a part of the story.
Instead of touting reviews or plots or spoilers, Engen back covers were short stories in and of themselves: short monologues written from the first-person (sometimes second-person) perspective of the characters within the story, as though they were being interviewed after-the-fact. Engen back covers didn’t waste space: we were given a venue to tell stories with, and we wanted to use every page and surface available to us to tell a story.