In 2013, when Man of Steel was released, I wrote about the challenges of adapting Superman for modern audiences. After a mixed bag of movies, it seems like Warner Bros is ready to cut bait and move on from this iteration of Krypton’s most famous son. Or maybe not? Now, Ben Affleck is apparently looking to bail as well. Who knows. The fact of the matter is, the DCEU is a dumpster fire.
Which is unfortunate because, unlike the MCU, Warner Bros actually owns all the IP rights to the DC characters. It should’ve been them leading the way of the shared cinematic universe, not Marvel, who didn’t even own the rights to Spider-Man when this whole trend got going. The MCU built perhaps the biggest box office juggernaut in Hollywood history off the backs of second-tier characters. What the hell happened? Continue reading Whatever Happened to the Man of Tomorrow: The failure of the DCEU
One of my favourite podcasts at the moment is Show me the Meaning, which does deep dives into the themes of popular movies. (It was a big influence for my podcast Deconstruction Junction.) Even when I disagree with them, I still find lots to think about. Recently they were discussing Hereditary, a pretty awesome but polarizing horror movie. They mostly took issue with a pivotal moment in the film where the plot shifts from psychological horror to supernatural. I want to zero in on this moment because it reveals a lot about perspective and how the viewer treats the camera as an “objective” point of view.
(Before I continue I’m gonna make a spoiler alert here. If you haven’t seen Hereditary then I strongly suggest watching it before reading this because I’m gonna be discussing some plot details, especially w/r/t the climax and conclusion. You’ve been warned!) Continue reading Hail, Paimon! Perspective in Hereditary
Like so many, I was deeply saddened by the news of Anthony Bourdain’s suicide. He produced many great TV shows and pretty much created modern food culture with Kitchen Confidential. He was a once in a generation influence.
I was watching one of his final interviews where he made a point that I’ve been thinking a lot about ever since. (I highly recommend watching the full thing.) He said, “I’d much rather not make TV at all or make unsuccessful TV than competent television…I detest competent, workman-like storytelling…I’d rather fail.” At the face of it, attacking competency seems wilfully ignorant, but what Bourdain means here by “competent storytelling” is by the numbers acceptable mediocrity. He’d rather take a chance at something different and fail. “There are shows where people are just going to hate it. They don’t like the style, they think it’s self-indulgent. But that’s the kind of failure I like. A powerful reaction one way or another is infinitely preferable to pleasing everybody.” Continue reading Do or Do Not: Anthony Bourdain, Star Wars, and Failure
With the recent release of Avengers: Infinity War I thought it would fun to introduce myself to the Engen community by ranking (in my opinion) the MCU films from worst to best. Because who doesn’t love some good old fashioned clickbait? I should warn you that there may be spoilers ahead, so you’ve been dully warned.
Alrighty then, I’m gonna cut to the chase and dive right in…
Continue reading MCU Ranked | Dun Dun Dunne