My Writing Process 2: Starting

Okay, so you’ve got your plot done. The details are ironed out, and you have at least some idea what the beginning, middle and end will be. It doesn’t have to be concrete, but it’s good to have a skeleton. What do you do now?

Start writing, clearly. But before that, you should make sure you’re not going to get stuck first. A lot of people writing novels tend to make it to around 20,000 words and then get hung up. We want to make sure that doesn’t happen to you. Your story it great, and it deserves to be told. Just like parents, we want to give our story the best chance we can before sending it out into the world.

The best way to do that is to start out strong, and have a lot of characters and tricks to fall back on.

First of all, choose your method of storytelling. This seems simple, but it’s really not. There are dozens of possible points of view that your story can be told from. Common ones that everyone knows about are first and third, but there are lots of others. Second person prose, though rare, can be engaging.

I find most people starting their first novel have the urge to write in the first person (that is, using I). Personally I found this very difficult in the beginning of my writing career. That could just be me, but I notice a startling amount of manuscripts coming into the submissions folder written in first person. Sad as it is, a high percentage of them are either never completed or… Well, bad. That sounds mean, I know. Hate saying it.

So you can obviously do what you want, but I’d suggest a specific type of third person storytelling called “Selective Omniscience.” Maybe in the future I’ll do a series on writing in the first person if enough people are interested.

So let’s assume we’re using “Selective Omniscience.” In that, the narrator knows everything there is to know but is choosing what information he relays to the reader… Basically, the narrator is you. Even then, the voice you use is up to you. Will you be comical? Gritty? Neutral? Totally up to you. The benefit of this perspective is that it gives you the ability to move the focus from one character to another, much like different scenes in a movie. In fact, thinking of it as a movie helped me a lot in early works.

Okay, so next make sure you have solid characters. Get to know each of them. Some people do writing exercises as each character to accomplish this. I prefer to talk to myself as though I’m in a scene with them. The important thing is, have a strong feel for them before you start so that they’ll act in believable, reasonable ways.

Make sure there are enough ideas for events scattered throughout your plot. If you only have 1-2 ideas for minor events, we’re likely talking about a short story. Plenty of things should be happening.

Finally, write the first scene. This is all important. Shakespeare (according to an old Prof of mine) used to start every play with something exciting to capture the viewers attention up front. The same is true here. Look at my series’: Black Womb starts with the woman fleeing from her captors. Infinity starts with a girl being stalked by a strange creature. Then, in both cases, the action quickly shifts to a normal setting where we introduce our main characters. That’s not a coincidence. It’s carefully formulated to bring the reader into the story, just like those scenes that happen before the credits roll on many television dramas.

Hopefully this helps. I can’t give you much except for a good start… After this it’s all very, very fun. 😉

Never Look Back
Matthew LeDrew

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